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United Kingdom

National Film and Television School

Producing

University degrees: Postgraduate

Course length: 2 years full-time

Could you develop, finance and produce a feature film or major TV drama?

Overview

Could you develop, finance and produce a feature film or major TV drama?

This course trains creative producers in the four key skills they will need to succeed in the industry: creative development; hands-on producing; finance and business affairs; and distribution/sales.

Recent Graduate Emily Morgan won this year’s BAFTA for Outstanding Debut by a Writer, Director or Producer for I Am Not A Witch.

Our students lead teams made up from the other disciplines at the School to produce at least three films to industry standard – with all production costs being met by the NFTS. They also undertake a Cannes Festival work placement and are individually mentored by a successful producer through the second year of the course.

Course alumni move on to work as producers or as executives in the UK and internationally. Typically, new graduates combine their own project development with paid employment in various roles across the film and TV industries (assistants to producers, development associates, producing short commissions).

All NFTS students can attend the School’s masterclasses programme, with recent guests including Martin McDonagh (In Bruges, Three Billboards Outside Ebbing, Missouri), Phoebe Waller-Bridge (Fleabag, Killing Eve), Asif Kapadia (Amy, Senna, Diego Maradona),  Lynne Ramsay (You Were Never Really Here, We Need to Talk About Kevin), Louis Theroux, and M Night Shyamalan (The Sixth Sense, Glass).

​This course is industry recognised by ScreenSkills, the industry-led skills body for the UK’s screen-based industries, and carries the ScreenSkills Select quality-mark which indicates courses best suited to prepare students for a career in the screen industries.

What you will study

Development skills: script analysis and script editing; developing a project from source material; working with writers and directors; pitching; negotiating the deal.

Producing skills: budgeting and scheduling; casting; managing the production; post-production techniques; editing, sound and music, business skills: publicity, marketing; sales, distribution; financing, co-production and legal/business affairs.

Television-specific strands include: developing a drama proposal to a broadcaster’s commissioning brief; understanding the television commissioning process; financing a TV drama series; the international market for UK drama; HETV tax credits.

Industry placements for students are encouraged in the summer break of the First Year, and Second Year students are formally teamed with individual industry mentors as well as undertaking work placements at the Cannes Film Festival. More than 30 senior industry tutors contribute to the course with specialist seminars over its two-year span, and students undertake visits to leading companies in the market such as Aardman Animation, NBCUniversal and ITV.

Programs, Courses, Workshops

  • 16mm/35mm Camera Familiarisation
  • Directing Fiction
  • Directing and Producing Science and Natural History
  • Editing
  • Film Studies, Programming and Curation
  • Comedy Sketch-Writing for Radio & TV
  • Factual Production Management
  • Scriptwriting for Film & Television
  • Acting for Directors
  • Acting For The Screen
  • Advanced Self-Shooting
  • An Introduction to Short Filmmaking
  • Art Department – The Three Key Crafts
  • Assistant Camera (Focus Pulling and Loading)
  • Assistant Directing and Floor Managing
  • Audio Drama – From Pitch To Script
  • Budgeting on Movie Magic
  • Camera Assisting
  • Cameras for Television Production
  • Cameras, Sound and Vision Mixing for Television Production
  • Casting
  • Casting The Actors
  • Certificate Programme
  • Character Animation
  • Composing for Film and Television
  • Composing for Film, TV & Games
  • Craft Editing
  • Creative Business for Entrepreneurs and Executives
  • Creative Producing for Digital Platforms
  • Developing and Pitching Drama
  • Developing & Pitching Drama
  • Developing & Pitching Factual Programmes & Documentaries
  • Digital Effects
  • Directing Actors
  • Directing and Producing Television Entertainment
  • Directing Animation
  • Directing Commercials
  • Directing Documentary
  • Directing The Comedy
  • Directing The Documentary
  • Directing the Documentary
  • Directing the Microbudget Feature Film
  • Directing The Short Film
  • Directors’ Series
  • Documentary Production Management
  • Documentary Shooting
  • Drama Production Management
  • Drama Production Management
  • Drone Qualification Course in partnership with ICARUS
  • Edit Producing
  • Editors Bootcamp
  • Factual Development and Production
  • Factual Editing
  • Film & Disability – Managing Your Career
  • Film & Disability – What Are Your Options?
  • Film Production Co-ordinators
  • Film Scoring for Editors
  • Financing Your Feature Film
  • Games Design and Development
  • Get Started in Games Design
  • Getting A Commission
  • Head of Production
  • How Stories Work in Documentaries
  • How To Develop Killer Ideas
  • How to Pitch a Documentary
  • How to Write for Independent Cinema
  • Interviewing for Documentary
  • Intimacy Directing: An Introduction
  • Introduction to Editing on Adobe Premiere Pro
  • Introduction to Editing on Avid Media Composer
  • Introduction to Editing with Avid Media Composer
  • Introduction to Production Accounting
  • Introduction to Production Accounting
  • Introduction to Self Shooting
  • Introduction to Sound Design for Narrative Filmmaking
  • Introduction to the Film and TV Art Department
  • Introduction to the role of Digital Imaging Technician (DIT)
  • Introduction to VFX
  • Introduction to Video Journalism
  • Line Producing for Film
  • Live Sports Production with Live TV Simulator
  • Location Management for Film and TV Production
  • Location Sound Recording
  • Location Sound Recording (and 1-day Cable Making Workshop)
  • Location Sound Recording for Film and Television
  • MA Cinematography
  • Making the Successful Micro-Budget Feature Film
  • Making the Successful Short Film
  • Model Making for Animation
  • Motion Graphics and Titles
  • Observational Filming
  • Producing
  • Producing Your First Feature
  • Production Accounting for Film and Television
  • Production Accounting for Film and Television
  • Production Design
  • Production Management for Film and Television
  • Rosemary and Time: An ecological 16mm film workshop using Bolex cameras
  • Running Your Own FILM Production Company
  • Running Your Own TV Production Company
  • Scheduling on Movie Magic
  • Scouting for Commercials
  • Screenwriting
  • Screenwriting: Finding Your Voice
  • Script Development
  • Script Development Workshop
  • Script Reading and Reporting
  • Script Supervision and Continuity for Film and Television
  • Set Ready: Working in the Costume Department
  • Set Ready: Working in the Make-up Department
  • Sitcom Writing for TV and Radio
  • Sound Design for Film and Television
  • Sound for Television Production
  • Sports Production
  • Start Self-Shooting
  • Storytelling for Business
  • Summerdocs
  • Supervising Art Directors
  • The Art of Multi-Camera Directing
  • The Art of Observational Filming
  • The Business of Games
  • The Curse of Crunch
  • The Documentary Consultancy: 3 Day Intensive
  • The Documentary Consultant
  • The Script Squad
  • TV Drama: Creating The Bible
  • Vision Mixing for Television Production
  • Visually Expressive Directing
  • Where Do Documentary Ideas Come From?
  • Working in Locations
  • Working in the Assistant Director’s Department
  • Working with Composers – The Life of a Score
  • Writing and Producing Comedy
  • Writing The TV Pilot
  • Writing the TV Pilot 2
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