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United Kingdom

National Film and Television School

Directing and Producing Science and Natural History

University degrees: Postgraduate

Course length: 2 year full-time

Could you make the next Blue Planet or Wonders of the Universe?

Overview

Could you make the next Blue Planet or Wonders of the Universe?

This is the only MA course of its kind in the UK, designed to fast track you into the industry. It aims to give students the skills and expertise needed to direct science and wildlife productions, the know-how to produce and direct entire shows and the ability, confidence and knowlegde to generate and pitch ideas and formats to commissioning editors.

Within 2 months of graduating all our 2019 graduates secured roles at leading television companies, including BBC Natural History Unit, Plimsoll Productions and IWC Media.

The course includes masterclasses from industry experts, including the world-renowned BBC Natural History Unit, and work experience is available at major wildlife production companies. Our graduates have the opportunity to build a brilliant list of industry contacts and relevant skills for a career as a Producer/Director.

All NFTS students can attend the School’s masterclasses programme, with recent guests including Martin McDonagh (In Bruges, Three Billboards Outside Ebbing, Missouri), Phoebe Waller-Bridge (Fleabag, Killing Eve), Asif Kapadia (Amy, Senna, Diego Maradona),  Lynne Ramsay (You Were Never Really Here, We Need to Talk About Kevin), Louis Theroux, and M Night Shyamalan (The Sixth Sense, Glass).

“You are the future. It’s up to you to change things about the way you look at the natural world, using formats I haven’t dreamed about.” Sir David Attenborough, NFTS Masterclass 2017

What you will study

This course will give you the skills to direct science and natural history productions, the know-how to produce entire shows, and the ability to generate new programme ideas and formats. Students gain a practical working knowledge of current television production methods and insight into how the business works and current trends.

There is a strong emphasis on professional practice.  This means that student projects will be expected to measure up to scientific scrutiny, as well as exhibition and broadcast standards.

Students will carry out assignments in the specialist skills of long-lens, time-lapse and macro photography. In the 1st year, students will not only produce and direct, but also shoot and edit their 10-minute film. In the 2nd year they typically shoot their films, but they also collaborate with composers, editors and sound designers when they make their 20 to 25 minute graduation films.

As part of the course students will be exposed to the development and production challenges of specialist factual genres, such as Landmark/Blue Chip (interchangeable terms for high budget, high production value programming mainly used in a pure wildlife context), mini landmarks, Children’s, People and Nature, Live, Expedition films, Magazine formats, Obs-doc etc. In addition, there will be a focus on promoting cross-genre ideas to foster creativity.

Programs, Courses, Workshops

  • 16mm/35mm Camera Familiarisation
  • Directing Fiction
  • Directing and Producing Science and Natural History
  • Editing
  • Film Studies, Programming and Curation
  • Comedy Sketch-Writing for Radio & TV
  • Factual Production Management
  • Scriptwriting for Film & Television
  • Acting for Directors
  • Acting For The Screen
  • Advanced Self-Shooting
  • An Introduction to Short Filmmaking
  • Art Department – The Three Key Crafts
  • Assistant Camera (Focus Pulling and Loading)
  • Assistant Directing and Floor Managing
  • Audio Drama – From Pitch To Script
  • Budgeting on Movie Magic
  • Camera Assisting
  • Cameras for Television Production
  • Cameras, Sound and Vision Mixing for Television Production
  • Casting
  • Casting The Actors
  • Certificate Programme
  • Character Animation
  • Composing for Film and Television
  • Composing for Film, TV & Games
  • Craft Editing
  • Creative Business for Entrepreneurs and Executives
  • Creative Producing for Digital Platforms
  • Developing and Pitching Drama
  • Developing & Pitching Drama
  • Developing & Pitching Factual Programmes & Documentaries
  • Digital Effects
  • Directing Actors
  • Directing and Producing Television Entertainment
  • Directing Animation
  • Directing Commercials
  • Directing Documentary
  • Directing The Comedy
  • Directing The Documentary
  • Directing the Documentary
  • Directing the Microbudget Feature Film
  • Directing The Short Film
  • Directors’ Series
  • Documentary Production Management
  • Documentary Shooting
  • Drama Production Management
  • Drama Production Management
  • Drone Qualification Course in partnership with ICARUS
  • Edit Producing
  • Editors Bootcamp
  • Factual Development and Production
  • Factual Editing
  • Film & Disability – Managing Your Career
  • Film & Disability – What Are Your Options?
  • Film Production Co-ordinators
  • Film Scoring for Editors
  • Financing Your Feature Film
  • Games Design and Development
  • Get Started in Games Design
  • Getting A Commission
  • Head of Production
  • How Stories Work in Documentaries
  • How To Develop Killer Ideas
  • How to Pitch a Documentary
  • How to Write for Independent Cinema
  • Interviewing for Documentary
  • Intimacy Directing: An Introduction
  • Introduction to Editing on Adobe Premiere Pro
  • Introduction to Editing on Avid Media Composer
  • Introduction to Editing with Avid Media Composer
  • Introduction to Production Accounting
  • Introduction to Production Accounting
  • Introduction to Self Shooting
  • Introduction to Sound Design for Narrative Filmmaking
  • Introduction to the Film and TV Art Department
  • Introduction to the role of Digital Imaging Technician (DIT)
  • Introduction to VFX
  • Introduction to Video Journalism
  • Line Producing for Film
  • Live Sports Production with Live TV Simulator
  • Location Management for Film and TV Production
  • Location Sound Recording
  • Location Sound Recording (and 1-day Cable Making Workshop)
  • Location Sound Recording for Film and Television
  • MA Cinematography
  • Making the Successful Micro-Budget Feature Film
  • Making the Successful Short Film
  • Model Making for Animation
  • Motion Graphics and Titles
  • Observational Filming
  • Producing
  • Producing Your First Feature
  • Production Accounting for Film and Television
  • Production Accounting for Film and Television
  • Production Design
  • Production Management for Film and Television
  • Rosemary and Time: An ecological 16mm film workshop using Bolex cameras
  • Running Your Own FILM Production Company
  • Running Your Own TV Production Company
  • Scheduling on Movie Magic
  • Scouting for Commercials
  • Screenwriting
  • Screenwriting: Finding Your Voice
  • Script Development
  • Script Development Workshop
  • Script Reading and Reporting
  • Script Supervision and Continuity for Film and Television
  • Set Ready: Working in the Costume Department
  • Set Ready: Working in the Make-up Department
  • Sitcom Writing for TV and Radio
  • Sound Design for Film and Television
  • Sound for Television Production
  • Sports Production
  • Start Self-Shooting
  • Storytelling for Business
  • Summerdocs
  • Supervising Art Directors
  • The Art of Multi-Camera Directing
  • The Art of Observational Filming
  • The Business of Games
  • The Curse of Crunch
  • The Documentary Consultancy: 3 Day Intensive
  • The Documentary Consultant
  • The Script Squad
  • TV Drama: Creating The Bible
  • Vision Mixing for Television Production
  • Visually Expressive Directing
  • Where Do Documentary Ideas Come From?
  • Working in Locations
  • Working in the Assistant Director’s Department
  • Working with Composers – The Life of a Score
  • Writing and Producing Comedy
  • Writing The TV Pilot
  • Writing the TV Pilot 2
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