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United Kingdom

National Film and Television School

Factual Development and Production

University degrees: Courses

Course length: 1 year full-time

Factual programmes are at the heart of the UK television schedules, whether it’s The Great British Bake-Off, GP’s Behind Closed Doors or Gogglebox.

Overview

Last places left to start 27 Jan 2020 – send your CV and covering letter to info@nfts.co.uk to fast-track your application! Exclusive Discovery Networks Scholarships available.

Factual programmes are at the heart of the UK television schedules, whether it’s The Great British Bake-Off, GP’s Behind Closed Doors or Gogglebox.

“I’ve gone from working in a pub to working for one of the largest, most prestigious broadcasters on the planet, doing exactly what I’ve always wanted to do.” Graduate George Richardson

If you want to learn from key industry figures – including commissioning editors and top producers – how mainstream factual programmes are developed, commissioned and produced today, then this year-long, part-time diploma is for you.

This part-time, evening course aims to give students the know-how and confidence to develop ideas for factual series and pitch them to commissioners.

The course is delivered in partnership with Discovery Networks International and ends with students given the opportunity to pitch an idea to their senior executives. One student pitched show will be ‘optioned’ securing £5,000 for further development with the support of a Discovery executive producer.

All NFTS students can attend the School’s masterclasses programme, with recent guests including Martin McDonagh (In Bruges, Three Billboards Outside Ebbing, Missouri), Phoebe Waller-Bridge (Fleabag, Killing Eve), Asif Kapadia (Amy, Senna, Diego Maradona),  Lynne Ramsay (You Were Never Really Here, We Need to Talk About Kevin), Louis Theroux, and M Night Shyamalan (The Sixth Sense, Glass).

Successful applicants will be invited to apply for the  Discovery Networks International scholarship.

What you will study

Producers have overall responsibility for making programmes happen. They begin work in the development stage and work right through until the programme or series is delivered to the channel and transmitted. Therefore this unique course is structured around three key areas – developing shows and understanding the factual programming market; producing a show; and delivering a show and managing the show post transmission.

The course is part-time (one evening a week and occasional Saturdays) over twelve months and is delivered at Discovery’s UK headquarters in Chiswick, London. Participants will leave the course with a portfolio of material developed during the course, including ideas for factual shows, production bibles and treatments.

The course is made up of a number of modules and workshops, participants learn by ‘doing’ as well as understanding theory and developing a variety of practical and creative skills. Each of the modules will focus on the UK in the first instance and then compare and contrast approaches with the US market.

Programs, Courses, Workshops

  • 16mm/35mm Camera Familiarisation
  • Directing Fiction
  • Directing and Producing Science and Natural History
  • Editing
  • Film Studies, Programming and Curation
  • Comedy Sketch-Writing for Radio & TV
  • Factual Production Management
  • Scriptwriting for Film & Television
  • Acting for Directors
  • Acting For The Screen
  • Advanced Self-Shooting
  • An Introduction to Short Filmmaking
  • Art Department – The Three Key Crafts
  • Assistant Camera (Focus Pulling and Loading)
  • Assistant Directing and Floor Managing
  • Audio Drama – From Pitch To Script
  • Budgeting on Movie Magic
  • Camera Assisting
  • Cameras for Television Production
  • Cameras, Sound and Vision Mixing for Television Production
  • Casting
  • Casting The Actors
  • Certificate Programme
  • Character Animation
  • Composing for Film and Television
  • Composing for Film, TV & Games
  • Craft Editing
  • Creative Business for Entrepreneurs and Executives
  • Creative Producing for Digital Platforms
  • Developing and Pitching Drama
  • Developing & Pitching Drama
  • Developing & Pitching Factual Programmes & Documentaries
  • Digital Effects
  • Directing Actors
  • Directing and Producing Television Entertainment
  • Directing Animation
  • Directing Commercials
  • Directing Documentary
  • Directing The Comedy
  • Directing The Documentary
  • Directing the Documentary
  • Directing the Microbudget Feature Film
  • Directing The Short Film
  • Directors’ Series
  • Documentary Production Management
  • Documentary Shooting
  • Drama Production Management
  • Drama Production Management
  • Drone Qualification Course in partnership with ICARUS
  • Edit Producing
  • Editors Bootcamp
  • Factual Development and Production
  • Factual Editing
  • Film & Disability – Managing Your Career
  • Film & Disability – What Are Your Options?
  • Film Production Co-ordinators
  • Film Scoring for Editors
  • Financing Your Feature Film
  • Games Design and Development
  • Get Started in Games Design
  • Getting A Commission
  • Head of Production
  • How Stories Work in Documentaries
  • How To Develop Killer Ideas
  • How to Pitch a Documentary
  • How to Write for Independent Cinema
  • Interviewing for Documentary
  • Intimacy Directing: An Introduction
  • Introduction to Editing on Adobe Premiere Pro
  • Introduction to Editing on Avid Media Composer
  • Introduction to Editing with Avid Media Composer
  • Introduction to Production Accounting
  • Introduction to Production Accounting
  • Introduction to Self Shooting
  • Introduction to Sound Design for Narrative Filmmaking
  • Introduction to the Film and TV Art Department
  • Introduction to the role of Digital Imaging Technician (DIT)
  • Introduction to VFX
  • Introduction to Video Journalism
  • Line Producing for Film
  • Live Sports Production with Live TV Simulator
  • Location Management for Film and TV Production
  • Location Sound Recording
  • Location Sound Recording (and 1-day Cable Making Workshop)
  • Location Sound Recording for Film and Television
  • MA Cinematography
  • Making the Successful Micro-Budget Feature Film
  • Making the Successful Short Film
  • Model Making for Animation
  • Motion Graphics and Titles
  • Observational Filming
  • Producing
  • Producing Your First Feature
  • Production Accounting for Film and Television
  • Production Accounting for Film and Television
  • Production Design
  • Production Management for Film and Television
  • Rosemary and Time: An ecological 16mm film workshop using Bolex cameras
  • Running Your Own FILM Production Company
  • Running Your Own TV Production Company
  • Scheduling on Movie Magic
  • Scouting for Commercials
  • Screenwriting
  • Screenwriting: Finding Your Voice
  • Script Development
  • Script Development Workshop
  • Script Reading and Reporting
  • Script Supervision and Continuity for Film and Television
  • Set Ready: Working in the Costume Department
  • Set Ready: Working in the Make-up Department
  • Sitcom Writing for TV and Radio
  • Sound Design for Film and Television
  • Sound for Television Production
  • Sports Production
  • Start Self-Shooting
  • Storytelling for Business
  • Summerdocs
  • Supervising Art Directors
  • The Art of Multi-Camera Directing
  • The Art of Observational Filming
  • The Business of Games
  • The Curse of Crunch
  • The Documentary Consultancy: 3 Day Intensive
  • The Documentary Consultant
  • The Script Squad
  • TV Drama: Creating The Bible
  • Vision Mixing for Television Production
  • Visually Expressive Directing
  • Where Do Documentary Ideas Come From?
  • Working in Locations
  • Working in the Assistant Director’s Department
  • Working with Composers – The Life of a Score
  • Writing and Producing Comedy
  • Writing The TV Pilot
  • Writing the TV Pilot 2
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